I am stunned. I feel cheated. I am mad. Damn mad!
For several years I have been touting Dove’s Real Beauty campaign as a high-minded example of authenticity in consumer marketing. Imagine my dismay, then, when I discovered in the May 12 issue of The New Yorker that the real beauties in Dove’s Real Beauty campaign are not real.
The success of the Real Beauty campaign still validates my original points:
- Being honest in today’s markets can pay off big
- The zeitgeist has shifted from an emphasis on idealization to an emphasis on reality
No need existed for Dove to hire the world’s reputed best pixalist, Pascal Dangin, to digitally turn “ordinary” women into – well – ordinary women. There is no lack of doughy-fleshed women.
Remember Jamie Lee Curtis’s famous full-page pose in the September 2002 issue of More? She agreed to be that issue’s cover story subject if More would show her as she is in a sports halter and shorts shot – billowing love handles and all, with no makeup, no special photographer’s lighting and no air brushing or its contemporary equivalent, pixel manipulation.
Thankfully, More had the good sense to agree with Ms. Curtis. It was rewarded for its wisdom by the greatest positive reader reaction in the history of the magazine that translated into a huge bump in audited readership.
For the most part, the mind of the market today wants the unvarnished truth. It is beyond the contrived world of youth where appearances count for more than substance. Be honest or be gone, it says. Because Dove doesn’t understand this I now have to spend a good chunk of my valuable time changing a series of PowerPoint slides and altering a heretofore important slice of content in many of my presentations on today’s markets.